Since an "arbitrary piano" is tuned by turning screws, like simpler string instruments, the only pitches that it cannot be tuned to are those that fall outside the range of each string. Departing from the usual inharmonically tempered 12-EDO tuning would just sound strange, possibly outside some piano tuner's professional comfort zone.
And that isn't a nuanced opinion; a common one among rigid materialists. Its not the best piano for a stage, but I am sure it could fool your ears in a recording. Morpheus would think it was a piano too. "What is real? ..."
I think that's a completely natural source of frustration for someone who is used to being able to put hands to keyboard and solve problems quickly, but IMO the higher you climb the ladder, the more you have the opportunity and responsibility to take a longer view and to delegate - which often means that other people are pushing the code.
This is interesting. I'd already had a conversation with my harness ( pi ) about incorporating continuous improvement. This is a great deal better than what I came up with.
Glad to hear it! Good luck, have fun. The agents tend to do a pretty good job incorporating these ideas. This was an unexpected thing we learned when publishing the initial harness engineering post.
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